Keynote Speakers
Daniele V. Filippi
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Noel O'Regan
Noel O’Regan is a Reader in music at the University of Edinburgh. He is the author of a Royal Musical Association monograph, ‘Institutional Patronage in Post-Tridentine Rome’, as well as numerous articles on Roman sacred music in the late 16th and early 17th centuries. He has also published on Rome-based composers including Lasso, Palestrina, Marenzio and Victoria, and is currently engaged in a study of the role of music in Roman confraternities in this period. In 1995 he was awarded the Premio Palestrina by the town of Palestrina in recognition of his work on that composer. He is a member of the editorial board of the New Palestrina Edition for which he has edited a volume of the composer’s triple-choir music.
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Daniele V. Filippi’s scholarly interests include early modern music and spirituality, historical soundscapes, and intertextuality. He has published critical editions, books, articles (Journal of the Alamire Foundation, Revista de musicología, Early Music, Early Music History), and book chapters on such composers as Palestrina, Victoria, Marenzio, and de Monte. In 2012–2014 he developed the project ‘The Soundscape of Early Modern Catholicism’ at the Jesuit Institute of Boston College. Since 2014 he is part of the ‘Motet Cycles’ research team at the Schola Cantorum Basiliensis (Basel, Switzerland). He is co-editing two forthcoming books: Mapping the Motet in the Post-Tridentine Era (Routledge; with Esperanza Rodríguez-García) and Listening to Early Modern Catholicism: Perspectives from Musicology (Brill; with Michael Noone and T. Frank Kennedy). For more information, see http://www.selvarmonica.com/.
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