Conference Programme
Friday 4 November 2016
11:00-11:45 Registration, coffee (Foyer)
11:45 Welcome (G16)
12:00-13:00 Session 1 (G16)
Liturgical Music in Print
13:00-13:10 Break
13:10-14:00 Conference concert (Cosmo Rodewald Concert Hall)
Turton Consort – Music for Liturgy and Devotion by Palestrina, Victoria, Lassus and Others
14:00-15:00 Lunch (Foyer)
15:00-16:00 Keynote lecture 1 (G16)
Daniele V. Filippi (Schola Cantorum Basiliensis) - The Soundscape of Italian Catholicism, c.1600.
16:00-16:30 Coffee break (Foyer)
16:30-17:30 Session 2 (G16)
Music for the Mass
Saturday 5 November 2016
9.30-11:00 Session 3 (G16)
Music for Devotion
11:00-11:30 Coffee break (Foyer)
11:30-12:30 Session 4 (G16)
Women and Music
12:30-13:30 Lunch (Foyer)
13:30-14:30 Keynote lecture 2 (G16)
Noel O’Regan (The University of Edinburgh) - Between Liturgy and Devotion: Roman Confraternity Oratories and their Music around 1600.
14:30-15:00 Coffee break (Foyer)
15:00-16:00 Session 5 (G16)
Music in Rome
16:00-16:10 Break
16:10-16:30 Closing remarks, final discussion (G16)
11:00-11:45 Registration, coffee (Foyer)
11:45 Welcome (G16)
12:00-13:00 Session 1 (G16)
Liturgical Music in Print
- Jeffrey Kurtzman (Washington University in St. Louis) - Sacred Music in Italy 1580-1615: What the Published Repertoire Tells us about Trends, Use, and Change in the Performance of the Liturgy.
- Marianne C.E. Gillion (Universität Salzburg) - Iuxta ritum Missalis novi, ex decreto Sacrosancti Concilii Tridentini restituti: ‘Tridentine’ Revisions to Italian Printed Graduals, 1572–1586.
13:00-13:10 Break
13:10-14:00 Conference concert (Cosmo Rodewald Concert Hall)
Turton Consort – Music for Liturgy and Devotion by Palestrina, Victoria, Lassus and Others
14:00-15:00 Lunch (Foyer)
15:00-16:00 Keynote lecture 1 (G16)
Daniele V. Filippi (Schola Cantorum Basiliensis) - The Soundscape of Italian Catholicism, c.1600.
16:00-16:30 Coffee break (Foyer)
16:30-17:30 Session 2 (G16)
Music for the Mass
- Rosemarie Darby (The University of Manchester) - Some Early Masses and Motets by Giovanni Animuccia from the Music Library of the Chiesa Nuova, Rome.
- Emanuel Signer (University of Cambridge) - “ad Honorem Sanctae Ceciliae” – The Veneration of Female Saints in Italian Mass Ordinaries around 1600.
Saturday 5 November 2016
9.30-11:00 Session 3 (G16)
Music for Devotion
- Esperanza Rodríguez-García (Universidade Nova de Lisboa) - Still Another Book of Small-Scale Motets: Sebastián Raval’s Motecta (1600).
- Ginte Medzvieckaite (The University of Manchester) - The Sacred and the Secular in Giovanni Pellio’s Canzoni spirituali (Venice, 1578 and 1584).
- Augusta Campagne (Universität für Musik und darstellende Kunst Wien) - The Concept of 'Amateur' in Music for Liturgy and Devotion: Preliminary Thoughts Concerning Canzonettas and their Makers and Consumers in Rome.
11:00-11:30 Coffee break (Foyer)
11:30-12:30 Session 4 (G16)
Women and Music
- Gioia Filocamo (Istituto superiore di Studi musicali “G. Briccialdi”, Terni) - The Professional Creativity of Musical Women between Courts and Devotion in the Early Modern Era.
- Angela Fiore (University of Fribourg) - Music and Liturgy in Female Cloisters in 17th Century Naples.
12:30-13:30 Lunch (Foyer)
13:30-14:30 Keynote lecture 2 (G16)
Noel O’Regan (The University of Edinburgh) - Between Liturgy and Devotion: Roman Confraternity Oratories and their Music around 1600.
14:30-15:00 Coffee break (Foyer)
15:00-16:00 Session 5 (G16)
Music in Rome
- Thomas Schmidt (The University of Manchester) - On the Transmission of Polychoral Music in the Papal Chapel Around 1600.
- Luca Della Libera (Conservatorio di Musica Licinio Refice Frosinone) - Marian Devotion in Rome between Music, Liturgy and Art in the Seventeenth Century: The Music of Alessandro Melani for the Pauline Chapel in Santa Maria Maggiore.
16:00-16:10 Break
16:10-16:30 Closing remarks, final discussion (G16)
